〔№014〕人工语言文字

“白日放歌须纵酒,青春作伴好还乡”

缘起

摘抄:「日语拼音方案」相关

Aziana

Aziana is a syllabary created by Warren Grant and inspired by the Korean, Chinese and Japanese writing systems. The idea was to devise a writing system that looks Asian in origin. It is a syllabary with consonants typically appearing on the top and vowels written underneath them.

Download font for Aziana

Notable features

Aziana alphabet

Aziana script

Sample text in Japanese

Sample text in Aziana in Japanese

原文

すべての人間は、生まれながらにして自由であり、かつ、尊厳と権利とについて平等である。人間は、理性と良心とを授けられており、互いに同胞の精神をもって行動しなければならない。

转写

Subete no ningen wa, umarenagara ni shite jiyū de ari, katsu, songen to kenri to ni tsuite byōdō de aru. Ningen wa, risei to ryōshin to o sazukerarete ori, tagai ni dōhō no seishinn o motte kōdō shinakereba naranai.

英译

All human beings are born free and equal in dignity and rights. They are endowed with reason and conscience and should act towards one another in a spirit of brotherhood. («Article 1 of the Universal Declaration of Human Rights»)

Kogo Kana

Kogo Kana is an alternative script for Japanese created by Martin Luan. It is designed to simplify the Japanese writing system, and is based on Martin's Kogor script.

Notable features

Kogo Kana

Kogo Kana

Sample text (horizontal)

Sample text in Kogo Kana (horizontal)

Sample text (vertical)

Sample text in Kogo Kana (vertical)

原文、转写、英译

同上

Kogor

Kogor is a new universal writing system designed by Martin Luan for writing various languages, including most Latin letter based languages, such as English, French, Spanish, Esperanto, etc. With the extended version, it could be used to write Russian, Arabic and Chinese Mandarin (pinyin), Japanese, Korean, etc. Basically it has 32 letters, 30 with specific sound each and 2 representing Q and Y which have similar sound of K and I.

All letters have Upper and lower case two forms individually. When used in a word, letters are connected at bottom. Y in a word has a special short form. The second letter in double letters will be replaced by a short dash below the first letter.

Notable features

In general, this system is designed to be easily written, read and also adjusted for new letters and styles as required.

Kogor alphabet

Kogor alphabet

Sample text in English

Sample text in Kogor in English

All human beings are born free and equal in dignity and rights.

Sample text in Esperanto

Sample text in Kogor in Esperanto

Ĉiuj homoj estas denaske liberaj kaj egalaj laŭ digno kaj rajtoj.

Sample text in French

Sample text in Kogor in French

Tous les êtres humains naissent libres et égaux en dignité et en droits.

Sample text in Spanish

Sample text in Kogor in Spanish

Todos los seres humanos nacen libres e iguales en dignidad y derechos.

Other versions of Kogor for: Esperanto, Japanese, Korean and Russian (PDFs)

Manjikana

Manjikana is an alternative writing system for Japanese created by Fatbardh Kraja in 2018. Being certain that the current writing systems (Kanji, Hiragana, Katakana and Romaji) do not suit the Japanese language, the author was able to determine 8 unresolved issues while writing.

Inspired by the "Manji" symbol (卍), he was able to find 8 solutions, all included in one single writing system. Manjikana fits the Japanese language's characteristics, as well as all its dialects.

Notable features

  1. The Manjikana writing system consists of only 33 (+ 2 extra) sounds, which are more than enough to write the language; two other sounds are added to simplify the writings of integrated words.
  2. The entire system is inspired by the Manji symbol. The characters are distributed according to a few criteria, which makes them flow easily. This system is authentic and well-adjusted with the spoken language, though creating a new identity. This system releases the language from the use of the Kanji symbols and the ideas of its Romanization.
  3. The conclusion that there are 1236 syllables is reached. The system groups the sounds in syllables, based on a certain scheme.
  4. The system works for the standard japanese and Ainu language and all its dialects, since all of their authentic characteristics have been considered.
  5. The second level of the system is called Nikana. It groups two to four syllables in different ways, based on 8 different schemes, creating different visual representations for phonetically identic words. This helps the process of heterographics.
  6. The third level is called Aikana. It allows the writer to explore and experiment with different ways of connecting words to their own limit, without violating the basic rules.
    1. The first development allowing the vertical connection of words
    2. The second development allowing the vertical and the horizontal connection of words
    3. The third development allowing the creation of shapes.
  7. From the same symbol generates also the numerical system, consisting of 5 main rules:
    1. The system is decimal
    2. The number shows its own value
    3. The number shows its value of the power of tens through its position
    4. Groups numbers three by three starting from the end.
    5. Groups all zeros together.
  8. This system provides great solutions for the existence of homonyms by:
    1. Identifies the upper or lower accent
    2. Provides the creation of visually different compositions for phonetically identical words.
    3. Provides the alternation of the numbers with new syllables used as homonymic suffixes.
    4. Provides the use of numbers as index signs.

To understand the concept of Manjikana check the scheme below:

Sample text in Manjikana

原文、转写、英译同上

Manjikana letters

For more details you can download this PDF or check the website: https://www.manjikana.com

Tounoji

Tounoji was invented by Scorupa D. as an alternative way to write Japanese, and is designed to look vaguely similar to Chinese Seal script. The symbols are vertically stacked with a small gap in between, and a vertical line through the center of each word. It was named Tounoji as the stacked symbols looked similar to towers and Tounoji, or 塔の字 (tōnoji), means 'tower letters/characters' in Japanese.

There are two forms of Tounoji: a "Tall" form where each symbol is simply stacked, and a "Short" form, where symbols are further combined within each single-vowel syllable.

Notable features

Tounoji alphabet

Sample text (Tall form)

Sample text (Short form)

原文、转写、英译同上

Eganes

Eganes is the creation of Matt Cheetham, a writer and a student of Maths at Manchester University, England. It is the script for an invented language of the same name.

Notable features

Eganes script

Grid script

Grid script letter construction

Sample text

Transliteration

Va saba osáv ódu lego, gérú béran busas e.

Sedú ter sagúte áne váb tura tegen ósan e.

If you have any questions about Eganes, you can contact Matt Cheetham at mattcheetham@gmail.com

Maui

The Maui script was invented by Ian James as an alternative way of writing Pacific languages such as Maori. It is a kind of syllabary where syllables are assembled phonetically from parts, and made to form distinct, singular forms. There is also a sense of the third dimension in the syllabic shapes, and they look a little like carved beads.

The Maui script is named after the great god-hero of Maori mythology, who - among other things - pulled New Zealand out of the ocean on the end of his fishing line. There is a suggestion of small marine animals or plants in the shapes of the assembled syllables, as things Maui himself may have shaken off his line. There is also an aesthetic perhaps reminiscent of the Easter Island script (Rongorongo), or the more complex Mayan glyphs.

Notable Features

Maui script

The consonant part

Nearly all syllables have a region of consonantal onset, one of three represented by the central voluted shape:

There is a rough match here to velar, dental and labial regions respectively.

In front of this shape, a modifier is attached to specify more clearly which consonant is being used. Absence of a modifier implies a plosive.

Here, the diamond indicates lack of a useful phoneme in this particular rendition. The asterisk indicates a non-phonemic glyph, shown below. A language may arrange the modifier table differently to the way it is here, to make better use of the three-fold space. One example might use the unvoiced nasals to signify non-phonemic elements, and use the "special" modifier for other phonemes.

The vowel part

The vowel shapes simply attach to the right of the assembled consonant. Multiple vowels can attach in series; this is a common effect in Maori, for example. Also, having /l/ and approximant /r/ among the vowels means we needn't break the syllable for these smooth sounds.

Special glyphs & combinations

Shown here are the 3 non-phonemic glyphs, as well as glyphs for special phonemic situations. The vowel-like phonemes /l/ and approximant /r/ may start a syllable, and are then given the modifier shown here. Other vowel-initial syllables would use the glottal plosive consonant as onset ("special unvoiced K"). For syllabic patterns other than the simple CV of Pacific languages, most modified consonants can be written without a vowel. Except for plosives, which use the closed oval forms given here (voicing marks may also be drawn on these to make solo or final /g/, /d/ and /b/).

Sample texts

Transliteration:

Pookarekare ana ngaa wai o Waiapu;
whiti atu koe hine marino ana e.
E hine e hoki mai ra;
ka mate ahau i te aroha e.
«Maori love song»
Transliteration:

All human beings are born free and equal in dignity and rights.
They are endowed with reason and conscience and should act towards one another in a spirit of brotherhood.
(«Article 1 of the Universal Declaration of Human Rights»)

Contact regarding the author's various script systems can be made via email: ianrjames at hotmail dot com.

摘抄:「棒文拼写方案」相关

Sticks

Sticks is an alternative alphabet for English invented by Kristian Baird. It can also be used to write Latin, Dutch and Welsh. Sticks is based on the letters T, L and I, and was also party inspired by repeating patterns which change slightly for each time.

Notable features

Sticks

Letters with a * next to them, should be pronounced with an "Ur" in combination with their original pronunciation. For example, V is pronounced "Vur", and Q at "Kur".

Sample text

Transliteration: I think therefore I am.

Stox

Stox is a alternative script for English and other Indo-European languages invented by Jon McV. He chose the name Stox, which is pronounced like "stalks", because of the shapes of the letters.

Stox is related to Jon's other script, Blox, because both form words by grouping the letters with a similar sound-production device in the same group i.e. d, t, þ, and ð and n as all of these sounds are usually either pronounced dental or post-dental.

Notable features

Stox alphabet

Sample text

(book script)
cursive script

If you have any questions about the Stox alphabet, you can contact Jon at: nightshadespectre@gmail.com

Blox alphabet

The Blox script was invented by Jon McV. as an alternative script for Semitic languages such as Arabic. It could also be adapted to write just about any other language.

The consonsants are all made up of vertical lines. while the vowel are all horizontal lines, which are written above, through the middle of, or below the consonants. If a vowel can be be angled to link to the half lines of consonants, as in the angled and mixed versions of the sample text below.

Notable features

Blox script

Sample text

If you have any questions about the Blox alphabet, you can contact Jon at: nightshadespectre@gmail.com

ULOG

The ULOG alphabet was invented by Kuznetsov Michael (Кузнецов Михаил) for an online game "Dark Horizon" that he wrote with a friend, and uses it mainly for writing inscriptions in his conlang, ULOG.

ULOG stands for the "Universal Language of the Galaxy", or "Всеобщий язык Галактики" in Russian.

Notable features

ULOG alphabet for Russian

ULOG alphabet for English

Numerals

ULOG uses a duodecimal numeral system

More details of ULOG numerals (PDF)

Sample texts

Russian

Transliteration: Все люди рождаются свободными и равными в своем достоинстве и правах. Они наделены разумом и совестью и должны поступать в отношении друг друга в духе братства.

English

Transliteration: All human beings are born free and equal in dignity and rights. They are endowed with reason and conscience and should act towards one another in a spirit of brotherhood.

Download a ULOG font (TTF, 9K)

Details of how to use ULOG to write other languages (PDF, 316K)

Four-segment Alphabet

Four-segment Alphabet was an IPA-based writing system invented by Julius Alfred Cordova of Iloilo City, Philippines. The best thing about this writing system is that it can fill all the areas of pulmonic consonant chart of the IPA, even the shaded areas with fewer diacritics, by simply combining two angles which indicate the articulation of a consonant. The upper angle indicates the manner of articulation and the lower angle indicates the place of articulation. For vowels the upper three segments indicate openness and the lower three segments indicate backness and roundness, and centralization. In addition, the numeral system is used to write and read fractions and decimals correctly and to avoid writing zeros.

Julius created this writing system to spell words phonetically and to identify the articulation of each letter. He also proposes that it could be used for other languages.

Notable features

Pulmonic Consonants

Notes

  1. Voiced nasals, trills, flaps, approximants, lateral approximants and lateral flaps have their voiceless forms just flip them leftward.
  2. Glottal is the center piece of the four quadrants because it was aspirated in release.
  3. The velar lateral flap and rounded close front vowel have the same symbol. This is a coincidence like l (lowercase L) and 1 (one) are similar in shape.
  4. A challenge for Omniglot fans: shaded areas of consonant chart also have their own symbols but it is not necessary to put them in the chart. If you are curious what they look like, guess them.

Sample Text in English

Transliteration in International Phonectic Alphabet

ɔl hjumən biɪŋs ər bɔrn fri ənd ikwəl ɪn dɪgnɪti ənd raɪts. ðeɪ ər ɛndaʊd wɪθ rizən ənd kɒnʃəns ənd ʃʊd ækt toʊrdz wʌn ənʌðər ɪn spɪrɪt əv brʌðərhʊd.

Transliteration in Roman Alphabet

All human beings are born free and equal in dignity and rights. They are endowed with reason and conscience and should act towards one another in a spirit of brotherhood. («Article 1 of the Universal Declaration of Human Rights»)

Numeral Examples

If you have questions about this alphabet you can contact Julius at juliusdalum@yahoo.com.

Trees

The Trees alphabet is the creation of Massimiliano Monagheddu from Sardinia. The alphabet can be used to write any language, just simply putting together the single letters. Long vowels and consonants are marked by a vertical line on the right side of the letter.

Notable features

Trees alphabet

Consonants
Vowels

Sample text in the Trees alphabet

Translitertion: All human beings are born free and equal in dignity and rights.

If you have any questions about the Trees alphabet, you can contact Massimiliano Monagheddu at m.monagheddu@gmail.com

摘抄:「含语拼音方案」相关

Elektrum

Elektrum was invented by Ian James in October 2011, as part of a series of regularly-formed alphabets founded on phonetic principles. The name comes from the ancient alloy made of silver and gold, and hints at a mix of pre-classical epigraphy and modern phonology.

Notable features

Consonants

The consonants are all made with enclosed shapes, their frames matched to regions of articulation. Within the frames are various points, or rivets, or bumps, which identify the manner of articulation. Plosives are given forms which are reminiscent of plates being bolted hard to a surface. Devoicing is shown with a middle horizontal. The velar series ranges from /k/ to /q/ position, depending on adjacent vowels (front or back). The glottal region includes some "most rear" phonemes.

The fricatives are given simpler internals, since their sounds are freer, softer and continuous. Note the way the extra sibilants are used in the affricate situation. Semivowels have symbols related to their vowel form.

Vowels

The vowels use point motifs similar to those found within consonants, but they have no enclosing frame (their sound is free of constriction). The tone suffixes may be used together to show rise and fall.

The shapes for the vowels are based on structures revealed in spectrograms of the spoken sounds – the grouping of their formant frequencies. For example, here are spectrogram patterns for the vowels [i], [æ] and [o], where the vertical axis shows frequency in Hz and the horizontal axis is time:

Extensions

Mattias Persson has suggested various extensions to the system described above. They are realized without much fuss, using the basic elements already given: devoiced nasals, implosives, fricative ejectives and another semivowel. The "voiceless throat nasal" can represent a more definite caesura than the "voiced" equivalent. A nasalizer (coming after vowels) is made from the nasal internals.

Sample text

This is the first line of Shakespeare's sonnet 18, phonetically spelt out using Elektrum. (Ian commonly uses Shakespeare's poetry because of its relatively rich mix of phonemes.)

Transliteration: Shall I compare thee to a summer’s day?

Alphabet of the Magi

The Alphabet of the Magi was invented by Theophrastus Bombastus von Hohenheim (also known as Paracelsus) in the 16th century. He used it to engrave the names of angels on talismans which he claimed could treat illnesses and provide protection. It was probably influenced by the various other magical alphabets that were around at the time and also by the Hebrew script.

The Alphabet of the Magi

The Alphabet of the Magi

Links

Information about the Alphabet of the Magi

Free Alphabet of the Magi fonts

Angelic alphabet

The Angelic alphabet, which is also known as the Celestial alphabet, is derived from the Hebrew and Greek alphabets. It was created by Heinrich Cornelius Agrippa during the 16th Century and was used for communication with angels.

Notable features

The Angelic alphabet

The Angelic alphabet

Download an alphabet chart for Angelic (Excel)

Links

Information about the Celestial/Angelic alphabet and Angelic fonts

Daggers alphabet

The Daggers alphabet or Alphabet of Daggers, is cypher based on the Latin alphabet and used for magical purposes. It appears in Aleister Crowley's «The Vision and the Voice».

Notable features

The Daggers alphabet

The Daggers alphabet

Links

Daggers fonts

Enochian alphabet

The Enochian alphabet first appeared during the 16th century. The Court Astrologer and Magician, Dr. John Dee (1527-1608), and his associate, Sir Edward Kelly (1555-1597) claimed that the alphabet and the Enochian language was transmitted to them by angels.

The alphabet is used in the practice of Enochian Magic on Enochian Calls or Keys.

The Enochian alphabet

The Enochian alphabet

Links

Information about Enochian

Digital Scans of the Enochian Manuscripts

Free Enochian fonts

Malachim alphabet

The Malachim alphabet is derived from the Hebrew and Greek alphabets. It was created by Heinrich Cornelius Agrippa during the 16th Century and is still used by Freemasons to a limited extent. This version is from Bartolozzi's Biblioteca Magna Rabbinica, 1675.

Notable features

The Malachim alphabet

The Malachim alphabet

Links

Free Malachim fonts

Passing the River alphabet

Passing the River is an occult alphabet derived from the Hebrew alphabet and first described in the «Third Book of Occult Philosophy» (1553) by Heinrich Cornelius Agrippa, a German polymath, physician, legal scholar, soldier, theologian and an occult writer.

It is also known as «Passage Du Fleuve» in French, and «Transitus Fluvii» in Latin, and the name perhaps refers to the time the Jews crossed the Euphrates during their return from Babylon to Jerusalem.

In Chapter 30 of Book 3 of Agrippa's «Third Book of Occult Philosophy» he writes:

Amongst the Hebrews I finde more fashions of Characters, whereof one is most ancient, «viz.» an Ancient writing which «Moses», and the Prophets used, the form of which is not rashly to be discovered [disclosed] to any; for those letters which they use at this day, were instituted by «Esdras». There is also amongst them a writing which they call Celestiall, because they shew it placed and figured amongst the Stars, no otherwise then the other Astrologers produce images of signs from the lineaments of Stars. There is also a writing which they call «Malachim», or «Melachim», i.e. of Angels, or Regal; there is also another, which they call the passing through the River, and the Characters and figures of all these are such.

Notable features

The Passing the River alphabet

The Passing the River alphabet

Links

Information about the Passing the River alphabet

Passing the River fonts

Theban alphabet

The origins of the Theban alphabet are lost in the mists of time. It is often called "The Runes of Honorius" after its reputed inventor, Honorius of Thebes. It is also known as the 'Witch's Alphabet'.

Notable features

The Theban alphabet

Theban alphabet

Sample text

Sample text in the Theban alphabet

Links

Information about the Theban alphabet

Theban fonts

Reonji

Reonji is a hieroglyphic writing system inspired by the Egyptian, Chinese and Japanese scripts and invented by Leonid Eliseev, who started working on it in 1990. He tried to make his script compact, convinient and fast to use.

Initially he made it as a script for a constructed language with no pronouncation and a structure close to English. Later he gradually adapted it to write Russian, though it contains many constructions with no analogues in Russian. He uses it for his private notes.

Notable features

Reonji characters

Reonji characters

Word forms

Reonji word forms

Auxilliary characters

Reonji auxilliary characters

Sample text

Sample text in Reonji

Russian version

Все люди рождаются свободными и равными в своем достоинстве и правах.
Они наделены разумом и совестью и должны поступать в отношении друг друга в духе братства.

Transliteration

Vse ljudi rozhdajutsja svobodnymi i ravnymi v svoyom dostoinstve i pravakh.
Oni nadeleny razumom i sovest'ju i dolzhny postupat' v otnoshenii drug druga v dukhe bratstva.

If you have any questions about Reonji, you can contact Leonid at: reonid@yahoo.com

摘抄:其它

Oxidilogi

Mike Lensman (epagan1781 at gmail dot com) created the Oxidilogi alphabet to write a conlang he's currently working on. The shapes of the letters are based on the 'Phags-pa script. The name of the alphabet is a working title based on the Greek for acid and script. It's called this because the people in the fictional world, which will be built along side the conlang, etched all of their writing into brass or stone using acid.

Notable features

Oxidilogi consonants

Oxidilogi numerals

Oxidilogi vowel symbols

Sample text

Longer sample text (Tower of Babel)

Download an Oxidilogi font (TrueType format, 127K)

Claviograms

Claviograms were created by Sebastien Gantois during summer 2017. They were inspired by the Arabic, Mongolian and Korean scripts, and can be used to write French, Japanese, Latin, Finnish, and other languages. He intended to create an aesthetically simple writing as Arabic and Mongolian, but more featural, without possible confusion of letters, as in Korean. The name comes from the shape of a basic C+V assembly, which looks like a small key.

Notable features

Claviograms

Sample text in Claviograms

Tous les êtres humains naissent
libres et égaux en dignité et en droits.
Ils sont doués de raison et de conscience et doivent
agir les uns envers les autres dans un esprit de fraternité

Scar

The Scar syllabary was created by Jon Molnar for use in a novel he's writing. In the novel the syllabary is used by a draconic race called simply "the dragonkin" by outsiders to their culture, their writing system being called [xɛkɑʃi roʊdɛsɑzi] (The Scars of Rhodesar". Rhodesar, in Shessin (dragonkin) lore, was a great red dragon of insurmountable intellect who created the Shessin and gave them the gift of written language, shaping the glyphs with his claws in a great stone cairn. This cairn bears the sample text below.

Notable features

A Bit of Linguistic History

Printed texts in the Scar Syllabary are kept in left-to-right books or on scrolls and are typically printed with a press or written with a brush in a red ink made from pomegranates.

Initial vowels were originally nonexistant, but over time certain words that used to begin with "h-" have dropped that initial consonant to leave just a vowel. Different regions of the Shessin empire deal with this in different ways, but the standard and most accepted method is by assigning the quaternary L group to the initial vowels.

Scar syllablary

Sample text

If you have any questions about the Scar alphabet, you can contact Jon Molnar at jon.molnar@gmail.com

T-8

Bae Jun created the T-8 alphabet while serving in the Air Force. It is named after his detachment's alias. He originally devised T-8 to write a conlang he was working on, but has since abandoned that conlang project. T-8 was modelled mainly on Arabic, Runes and Ogham.

Notable features

T-8 alphabet

Sample text in the T-8 alphabet in Esperanto

Transliteration:

Ĉiuj homoj estas denaske liberaj kaj egalaj laŭ digno kaj rajtoj.
Ili posedas racion kaj konsciencon,
kaj devus konduti unu al alia en spirito de frateco.

If you have any questions about T-8, you can contact Bae Jun at: shaxar@hanmail.net

Baduk alphabet

The Baduk alphabet was invented by Sebastian Groß from Germany and is based on the game of Baduk, which is also known as Go.

Notable features

Baduk alphabet

Notes

Sample text

If you have any questions about the Baduk Script, you can contact Sebastian at: Sebastiangross[dot]SG[at]gmx[dot]de

Alfa-kinetix

The Alfa-kinetix script is a modified version of the Baybayin alphabet designed by Frederick Victor Paredes Añana to write Tagalog. The name is a combination of alphabet and kinetics. Most of the basic characters were patterned on the Baybayin Lopez Font while the character for "ra" was taken from the Bikol Mintz Font.
Alfa-kinetix

There are diacritics for consonants with an inherent i, e, u, and o sound. The inherent a sound is muted if a linear diacritic spins in a clockwise direction.

Examples:

The word mga (pronounced as ma-nga) is spelled the way it is pronounced

Punctuation marks

Numerals

Mathematical symbols

Sample text

Transliteration:

Ang lahat ng tao'y isinilang na malaya at
pantay-pantay sa karangalan at mga karapatan.
Sila'y pinagkalooban ng katwiran at budhi at
dapat magpalagayan ang isa't isa sa diwa ng pagkakapatiran.

A complete Alfa-Kinetix transliteration chart: http://alfakinetix.blogspot.com

感想

“巴黎忽传斩路易,初闻涕泪满衣裳”
法国大革命时期的互联网⸺视觉电报的理性启蒙
法兰西科技史,超越时代的大工程、点歪的科技树

后记

同样,这些都是「准备工作」,摘抄部分记录可刺激脑洞的他山之石。对于个人的需求来说,没有人造语言,只有人造文字,为了表现效果。实际上现在的实现方式,就是从页面上复制「鬼画符」,粘贴到其它地方,显示的是对应语种的「通用文字」。

具体到这里收集的其它文字方案,许多并不实用,也有些当前文字处理环境下无法解决的问题。比方说棒文「Sticks」,上划线下划线的应景显示需要处理单词在上下文当中奇偶性,但是没找到OpenType或者其它字体引擎中有「计数器」这种功能,或许是孤陋寡闻。再比方说最后的动画文字,任何现成的排版引擎都无法直接显示,只能用代码(生成SVG格式)处理。至于棋盘型文字,倒是可以做到(当前浏览器是否已经做到或者愿意去做则另说),字体规范中本来就有每个字符渲染后向XY轴方向的移动距离,换行操作麻烦点而已。

于是,对于《设定集》当中影射法国大革命前夕的通讯技术,本位面有明文传递的光学电报,夜间也有灯光显示,加上动画效果,就是奇幻版剧情的细节。

2021.7.13, Martis